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Triquarterly
Volume: 109 | Year: 2000

Table of Contents:

Pamela Alexander
From the Bastide

Elizabeth Alexander
Neonatology

Agha Shahid Ali
From Where I Knelt

Debra Allberry
Fimbul-Winter

Mary Jo Bang
Here is a Fine Word: Prettiplease
The Raven Feeds Reynard

Erin Belieu
The Creature of Our Most Commodious Sacrament

Molly Bendall
Frills
Inclination
Vanquish
Fallen
Calendar

Frank Bidart
The Poem Is a Veil

Martha Collins
Glyphs

Angie Estes
Entrance to an Imaginary Villa
More
Scripture

Kathy Fagan
Aubergine Accords with Dove Charmingly
Horsepower
Recovery

Nick Flynn
Almost Song
Inside Nothing
Blind Huber
Workers (attendants)

Richard Foerster
Snakeskin
Sonnet

James Galvin
Dear Sunset through Spring Snow
Dear Alpenrose Growing by the Door
Dear Prevailing Wind

Louise Gluck
Fable
Civilization
The Empty Glass

Jennifer Grotz
Map to Light You Can Call Blue
Kiss of Judas

Daniel Gutstein
Tall Skirts
Without
Flouncing
Exit Narrative

Marilyn Hacker
Chanson de la mal aimee

Rachel Hadas
Diorama

Daniel Hall
A Winter Apple
Stadium

Forrest Hamer
Arrival

Gail Mazur
My Dream after Mother Breaks Her Hip

J. D. McClatchy
Penis

Lynne McMahon
At the Monster Truck Races
Penelope's Shells
To My Husband

Jane Mead
With No Praise from the Far Dark Reaches
In Grief the Pilot Knows You

Carol Muske-Dukes
Portrait
Valle--In Memorium

Heidi Lynn Nilsson
The Gaps in Average Distances
Learns the End with What We Did Begin

Joe Osterhaus
Shadow, Hawk, and Dove

Christine Perrin
The Call
Zoe Learning to Ride Her Bike

Robert Pinsky
Two Poems for the Twentieth Century

Kevin Prufer
Frightened Figure with Horse

Claudia Rankine
Eight Sketches

Martha Rhodes
The Restorers
This May Be
John

Sherod Santos
The Conversation
Driftwood

Grace Schulman
Job's Question on Nevis
Blue Dawn
Under the City

Reetika Vazirani
Radha to Krishna about Their Different Colored Skins
Radha-Pandora-Eve
Radha on Queen Maya in Red Sandstone

Ellen Bryant Voigt
The Art of Distance, IV
The Art of Distance, V

Emily Wilson
from Ontogeny

Kevin Young
Film Noir (The Subplot)
Requiem
Film Noir (The Loot)

Poets of Interest in this issue:

Elizabeth Alexander
Neonatology

 

Mary Jo Bang
Here is a Fine Word: Prettiplease; The Raven Feeds Reynard

 

Molly Bendall
Frills; Inclination; Vanquish; Fallen; Calendar

 

Frank Bidart
The Poem Is a Veil

 

Martha Collins
Glyphs

 

Angie Estes
Entrance to an Imaginary Villa; More; Scripture

 

Kathy Fagan
Aubergine Accords with Dove Charmingly; Horsepower; Recovery

 

Nick Flynn
Almost Song; Inside Nothing; Blind Huber; Workers (attendants)

 

James Galvin
Dear Sunset through Spring Snow; Dear Alpenrose Growing by the Door; Dear Prevailing Wind

 

Louise Gluck
Fable; Civilization; The Empty Glass

 

Jennifer Grotz
Map to Light You Can Call Blue; Kiss of Judas

 

Jane Mead
With No Praise from the Far Dark Reaches; In Grief the Pilot Knows You

 

Robert Pinsky
Two Poems for the Twentieth Century

 

Kevin Prufer
Frightened Figure with Horse

 

Claudia Rankine
Eight Sketches

 

Sherod Santos
The Conversation; Driftwood

 

Ellen Bryant Voigt
The Art of Distance, IV; The Art of Distance, V

 

Emily Wilson
from Ontogeny